Sky Q: Making Of

February 13, 2016

Sky have also uploaded a little Making Of for Sky Q to give a sense of what was involved in this project. The video shows some of the slow-mo macro fluids we recorded for reference. It was a delight watching those videos over and over and over again. Fluids at macro-level is some seriously cool … Read More

Sky: Sky Q

February 13, 2016

So, here it is. The first in a campaign for Sky for their new “Sky Q” service. This job was mammoth, I spent 6 months working on this bad-boy, my first foray into the crazy world of FLIP fluids in Houdini. Things of note: gas surface tension, viscosity and particle separation are very important and … Read More

14th Annual VES Nominations

January 18, 2016

Lipton “A Revolution in Tea” has been nominated for “Outstanding Effects Simulations in an Episode, Commercial, or Real-Time Project” https://www.visualeffectssociety.com/14th-annual-ves-awards-nominees Well done to Tom and Christos who lead and designed these beastly sims.

T.O. by Lipton: Making Of

December 30, 2015

The Mill have posted a fantastic “Making Of” showing the huge amount of work that went in to making “A Revolution in Tea” for Lipton, from the initial practical FX RnD, to the rotomation, sims and seamless compositing. Full descriptions and explanations can be found here: http://www.themill.com/millchannel/617/behind-the-scenes-of-lipton-‘the-revolution-in-tea’ Here’s the “Making Of” Behind the Scenes: Lipton … Read More

Houdini Tools Development: Version Up

December 8, 2015

Having begun the switch to Houdini, I’ve been learning how to implement my Python knowledge into Houdini. My first tool is an incremental saver (something I find hugely important), which accounts for files that already exist and warns if a naming convention is not adhered to. This .zip contains the .py script, the code for … Read More

T.O by Lipton

November 15, 2015

This was my first job working with Houdini, creating smoke and dust for this commercial for Lipton. Using setups from my Leads we used Houdini’s smoke solvers and advected particles to create the powdery, inky effects seen in the red and yellow shots. Here’s a “Making Of..” from Lipton, too.